8th ASEMUS General Conference in Kuching, Malaysia – Registration open!
The 8th ASEMUS General Conference will be held in Sarawak, Malaysia, on 14-16 November 2018. View programme and register now! Read More
Exhibition: “Voices of the Wind: Traditional Instruments in Laos”
A new exhibition at TAEC in Luang Prabang, Lao PDR, presents rare musical instruments and a unique opportunity to understand their meaning. Read More
ICCROM Course: Wooden Architecture Conservation and Restoration
The Kizhi Open Air Museum (Republic of Karelia, Russian Federation) will host this international course in August and September 2019. Read More
Endangered Archives Programme: Call for Grants 2019
The British Library’s Endangered Archives Programme has launched its call for grants 2019. Applications should be submitted by 19 November. Read More
Conference: “Opportunities and Challenges for Cultural Heritage Values” | Viet Nam
Papers and posters are invited for this international conference due to be held in Ho Chi Minh City, Viet Nam, on 30 November 2018. Read More
ICOM Establishes New Working Group on Sustainability
Addressing museums’ role vis-à-vis sustainable development, the new ICOM Working Group on Sustainability is expected to present recommendations in 2019. Read More
3rd SEAMEO SPAFA Conference on Southeast Asian Archaeology
SPAFACON2019 will be held in Bangkok in June 2019. Organisers are now inviting proposals for sessions, to be followed by a call for papers. Read More
Webinar: How Museum Professionals Can Collaborate With Local Creative Partners
Forthcoming NEMO webinar facilitated by Jenny Siung (Chester Beatty Library) will address collaboration with creative professionals. Registration now open. Read More
Guidelines on Dealing with Collections from Colonial Contexts
A new publication by the German Museums Association, which welcomes feedback and reviews with a view to a forthcoming revised edition. Read More
Writing the Modern: Selected Texts of T.K. Sabapathy
A new publication collects 57 texts on Southeast Asian art written by critic, curator and art historian T.K. Sabapathy between 1973 and 2015. Read More
